If strawberries had arms and legs they would surely go to war.

In the exhibition, “No Third” the rich and absurd visual language of Elad Rosen comes to life with an historical, epic, and fictional event that is frozen in time.  The gallery becomes the scene of destruction from a battle and the feeling of danger invades the relationship between the fragile ceramic sculptures and the visitors.  The violent scene in the exhibition, without context, delineates the space where war is presented and experienced as a predetermined show that is inevitable.